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Author Archive | Paul Riismandel

Halloween is a pirate radio holiday

As the Shortwave Listening Post reminds us, Halloween is a peak broadcast day for unlicensed shortwave pirates. For folks with a shortwave radio, SWLing blogger Thomas instructs, “Turn on your radio anytime today, but especially around twilight and tune between 6,920 – 6,980 kHz. Pirates broadcast on both AM and SSB; you’re bound to hear […]

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FCC Commissioner Rosenworcel champions radio and LPFM to the Future of Music Summit

In her Tuesday keynote address to the Future of Music Summit, FCC Commissioner Jessica Rosenworcel emphasized the still relevant role of radio in her remarks about the relationship between the music industry and the work of the Commission. First, she revealed that her brother is a professional bongo player, as a percussionist for the alt […]

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Learn radio storytelling and production with Transom Online Workshops

Burgeoning radio producers have the opportunity to learn critical skills online with the new Transom Online Workshop. Transom, which calls itself “a showcase and workshop for new public radio,” received support from the Knight Prototype Fund to create two paths for the Online Workshop, a free self-guided course and a fee-based instructor-led course. Transom has […]

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Future of Music Summit 2013

Radio should pay & no consensus on Spotify: Impressions from day 1 of the Future of Music Summit

Fighting off as-yet-undiagnosed intermittent internet issues I still managed to watch a good portion of several Monday sessions from the Future of Music Summit in Washington, DC. While I cannot report substantially on any one session, I can give my overall impressions of the day. It seems like there were three major recurring themes: 1. […]

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Indie stations and indie musicians working together? An immodest proposal

This piece originally appeared in our free weekly email newsletter, the Radio Survivor Bulletin. Sign up now to get a digest of important and insightful links and commentary about the future of radio. I’ve been giving some thought to the relationship between musicians and radio. In particular, I’m interested in independent artists and labels and […]

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