DJs Mona Lott and Tony DuShane at KFJC. Photo Courtesy Tony DuShane
On Radio Survivor we tend to talk more about what it means to be a radio listener than what it’s like to be behind the scenes as a radio DJ.
I’m one of those serial DJs who hasn’t been able to shake off the lure of hitting the airwaves year after year in order to both learn about new and obscure music, but also to share my love of music with others.
In an interview that I did recently with community radio DJ and Confessions of a Teenage Jesus Jerk author Tony DuShane, I was struck by the importance that radio (and music) has played in his life and think that he speaks for many long-time DJs when he says:
“It’s an addiction. I have to DJ. There’s a difference when DJing at clubs and bars. When you’re DJing to FM airwaves, you’re DJing into space. There’s no feeling like it. It’s like inviting people over and playing records and talking about the records. Except your friends are in range of a transmitter. There could be five. There could be 5,000.”
For me, being on the microphone and the ritual of doing a radio show brings with it a surprising sense of calm, even though the minutes before my show are always fraught with panic about what to play first.
So, all of you DJs out there, what is it that keeps you coming back week after week?
In light of the 70th anniversary of the Intercollegiate Broadcasting System’s (IBS) annual conference last weekend, it’s a good time to reflect on the college radio pioneers who rarely get mentioned in radio history discussions.
My fascination with the early days of college radio began when I started diving into the history of the radio station at my alma mater, Haverford College. Although Haverford’s first radio station, WABQ, drew much press and attention during its short run from 1923 to 1927; few people outside of the college are aware of the triumphs of this student-built station that was for a time the most powerful college radio station in the United States.
“Radio stations at universities were particularly important because they pioneered some of the earliest experiments with radio in the United States and they played a key role in the establishment of an alternative, noncommercial, public service model for broadcasting.”
Also of interest to me is Slotten’s acknowledgment that college radio faced competition from commercial stations way back in the 1920s. He writes,
“As early as 1922, President Jardine at Kansas State College wrote to a colleague about his fears that commercial interests were actively ‘trying to eliminate’ college radio stations.”
It’s not surprising, considering the huge growth of radio in the United States in 1922. According to Slotten, on January 1, 1922 there were only 28 licensed broadcast stations in the U.S. This number soared to 570 by December 1, 1922.
In the book, there’s a big emphasis on the importance of stations at land-grant universities, many of which offered extension courses and home study courses over the radio airwaves (particularly in the 1920s) for residents in rural areas. Slotten points out that by the late 1920s there was even more competition for space on the radio dial and that many stations were forced to share frequencies and commercial stations seemed to be favored in the Federal Radio Commission’s decisions surrounding assignments.
In order to gain more insight into his research into the early days of educational radio in the United States, I spoke with Hugh Slotten over email. In our conversation he talks about how he became interested in college radio, explains why much of college radio’s early history has been unwritten, and offers up his take on why pinpointing the “first college radio station” is such a challenge. (more…)
February 3rd, 2010 by Helen Yamamoto in books, history
Prominent historian and activist Howard Zinn passed away last week on January 27, 2010, at the age of 87 years old. Best known for his book A People’s History of the United States, which has sold almost two million copies to date, Zinn wrote history from the “bottom-up.” I had the pleasure of seeing Zinn in person in San Francisco last year during his Voices of A People’s History event, a tour that recruited actors and actresses to read excerpts from Zinn’s book, such as Tecumsah’s Speech of the Osages, Mary Ellen Lease’s Wall Street Owns the Country, and Vito Russo’s Why We Fight. In honor of Zinn’s memory, in this article I will be listing some audio files of Zinn speaking, some of my favorite Zinn books, and some biographical information to anyone that might be interested in learning more about such an amazing individual.
Listening to history
Zinn’s Artists in a Time of War is an overview of the history of the United States and features Zinn discussing a number of important themes and events, such as patriotism in modern times and the Spanish-American War. LearnOutLoud.com also hosts a sizable amount of Zinn audio files, which can be found here. Another possible method that I feel doesn’t get enough attention is looking into audio CDs and/or tapes of some of Zinn’s books, such as A Peoples History of the United States, on CD. (more…)
The craziness of the holiday shopping season is now upon us and hopefully there’s someone on your list (maybe you) who deserves a little radio love. Whether you are shopping for a retro radio dude, a kid with a penchant for pop, someone with an eye for high design, or your favorite radio scholar, there are tons of cool toys, gadgets, and tomes out there that embrace the beauty of radio.
Here are some options. To see images of these gifts, just click the triangular up and down buttons at the bottom of the carousels:
I’m always drooling over the beautifully designed Crosley turntables with all of the modern acoutrements. This particular model reminds me of an antique radio that we had in my house when I was a kid.
Oh my god…I had no idea they still made shower radios. For that reason alone, this made the list. Just think, you can catch the news, weather and traffic in the comfort of your own shower.
With this cool device, you can record radio much like you would use TiVo to record television.
For Radio Nostalgia Buffs: Antique Radio
I grew up in a house full of usable antiques, including old radios and phonographs. They don’t make things like they used to, so it’s always fun to seek out vintage pieces. Your local antique store and eBay are full of gems, including this crazy vintage space age-style Sputnik radio from the 1960s.
For Non-Commercial Radio Supporters: CDs, LPs, Tshirts, etc. from their Favorite Radio Station
College, community, and public radio stations are always in need of your cash….and they often have really cool promotional items that you can pick up as gifts. Might I shamelessly plug KFJC’s 50th Anniversary LP to you? Or perhaps a cute girlie T-shirt?
I Love this idea. Instead of listening to your favorite radio stations through your computer, you can use this dedicated Internet radio. It’s perfect for places like San Francisco where FM radio reception is often dodgy, especially for the college radio stations that I listen to. It’s also got Pandora built in to in if you end up bypassing the bounty of streaming terrestrial stations.
I love reading stories about radio and every time I run across a college radio mention in a book, my interest in piqued. In the months to come I’m going to work on compiling a list of college radio “must reads,” from the academic to the autobiographic. My first pick: Kill the Music.
Kill the Music: The Chronicle of a College Radio Idealist’s Rock and Roll Rebellion in an Era of Intrusive Morality and Censorship is a new book by Michael Plumides that in part looks back at his time in South Carolina in the late 1980s and early 1990s when he was a DJ at college radio station WUSC-FM.
In the book he gives an interesting glimpse of the student radio scene (including staff member drama) at a particular point in history.
The focus of the story also hinges on his time as the owner of the 4808 club, the site of an infamous incident at a GWAR show involving accusations of obscenity on the one hand and censorship on the other. I recently interviewed Michael about the book and about his time in college radio and here’s a choice excerpt from our chat in which he talks about the first college radio station where he worked:
Jennifer Waits: Tell me a bit about the first station where you DJ’d and when you were there?
Michael Plumides: The WLOZ-FM station, originally broadcast from UNCW on 91.3 (now public radio WHQR’s frequency) before being shut down by administrators in 1983 because of a drug scandal. Supposedly, the student broadcasters called out to their dope smoking customers on-air, using code language to indicate that certain packages had arrived. The death knell came when a deejay took a bong hit while broadcasting.
In the mid-eighties, WLOZ returned as “cable radio station,” requiring a special hookup to your cable TV. You had to go to Radio Shack and buy this coaxial antennae device to rig to your receiver. Needless to say, we had a deeply disturbed following. I was in on the “Cable FM” incarnation (90.9) in 1985 and 1986, where I acquired my first FCC license, and then I transferred back to USC. For a time in the late ’90s, WLOZ broadcast an extremely weak signal on 89.1 FM that could more or less only be heard on campus. That station ceased functioning in 2001. I understand they’re now a net broadcast.
In future posts I’ll share some books about college radio history and another personal narrative about college radio in the 1990s.
