Radio Survivor

While digital HD Radio in the US generated some light interest during January’s Consumer Electronics Show, the BBC was sharpening its hatchet in anticipation of taking a few whacks at its digital radio service. The UK has had the Digital Audio Broadcast (DAB) service since the mid-1990s, predating HD radio in the US by a good half-decade. Unlike HD Radio, which broadcasts alongside analog signals, DAB uses a different set of spectrum dedicated exclusively to digital radio.

Although arguably superior to HD Radio’s IBOC system, both due to greater available bandwidth and not causing interference to analog stations, DAB isn’t necessarily doing any better in its home countries. As UK radio blogger Grant Goddard reports, many European countries are scaling back or ending their investment in rolling out DAB.

At the beginning of March the BBC confirmed rumored plans to shut down two of its DAB stations, the Asian Network, which serves South Asian communities, and 6 Music, which is a popular modern rock station. The 6 Music shutdown, in particular, has generated a significant outcry from listeners, with nearly 8,000 complaints filed with the BBC as of last Friday.

The 6 Music closure appears to hit a nerve because it was the BBC’s attempt at creating a cutting edge rock music station featuring more variety and up-and-coming bands than other BBC or commercial stations. Music celebrity hosts like Jarvis Cocker, Bruce Dickinson and Bob Dylan have had their own shows. When it debuted in 2002 it was the first new national service from the BBC since 1970. 6 Music was also intended to be a showcase for the new DAB service, supposedly taking advantage of the service’s enhanced digital fidelity.
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Federal Communications Commission Chair Julius Genachowski did his best to sell the agency’s upcoming National Broadband Plan to country music and country radio fans this week—both on and off the ‘Net. The Plan is due to be released this Tuesday—a blueprint for how to speed up high speed Internet adoption across the country.

“What will the National Broadband Plan mean for this marketplace of artists, radio station owners, Internet entrepreneurs, and music lovers?” he asked at a meeting of the Country Music Association’s Board of Directors on Wednesday. The answer is that it will get more rural country music lovers on line.

One thing is for sure, Genachowski had a good time delivering this pitch . “You thought I was going to say something about my wife leaving me, my dog and my truck, didn’t you?” the FCC’s boss asked the Board.

Relevance needed

But seriously folks, the meat and potatoes of the talk was that the venues for selling country music are going to the Internet. The challenge is to get the country music market to the ‘Net too, Genachowski explained: (more…)

Each week I’m posting a few bands, songs, music videos, and websites that have caught my eye at some point. I should mention that many of the links to songs will probably be on youtube (aka they may include videos that I don’t consider to be particularly good) and that I’ve chosen the music videos based more on the music video than the audio track, although I will try to pick catchy and/or good music. Enjoy!

Bands

1) Scissors For Lefty: If I remember correctly, I saw these guys open for The Bravery a few years ago. Their vocalist reminds me a bit of Hot Hot Heat, but SFL’s music (in my opinion) is much better. I definitely suggest looking into these guys, particularly if you find The Bravery or Hot Hot Heat appealing or if you like indie music with a solid dancing beat.

2) Copeland: These guys are, unfortunately, on their farewell tour. I’ve admittedly been a fan of Copeland since my sophomore year of high school and have been happy to see their music evolve over the years. They have a very mellow sound, and their lyrics can occasionally be relatively “emo,” although I definitely wouldn’t classify them as an “emo” band.

Music Videos

1) The Morning Benders “Excuses“: This video is really cool in that the band managed to recruit a bunch of their musically-inclined friends from the San Francisco Bay Area to contribute. The song is also quite good.
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George Carlin only ever identified seven words you couldn’t say on the radio. Tribune CEO Randy Michaels–formerly of Clear Channel–has identified a full 119 of ‘em that he recently banned from being used on the company’s flagship news/talk station in Chicago WGN-AM. None of these words or phrases would get a station in trouble with the FCC. It’s just that Michaels and WGN news director Charlie Myerson think that using “flee” to mean “run away” or saying “bare naked” makes the announcer “sound like you’re reading, instead of talking.”

Chicago media blogger Robert Feder leaked the internal memo announcing the verboten verbiage, taking Myerson and Michaels to task for this “petty and insulting micromanaging of subordinates.” See the full list at Feder’s blog.

My guess is that Radio Randy just started the list as a way to get his mental juices flowing, and once he hit 50 figured it was too great not to share. You know, it’s difficult to be the CEO of a bankrupt media empire, and sometimes you just have to show the troops that you’re thinking about their world, too. Maybe next he’ll sign up to do an episode of Undercover Boss.

Last week’s Intercollegiate Broadcasting System conference (IBS for short) kicked off the music and radio convention season and there appears to be no end in sight for broadcasters and music lovers over the course of the next few weeks.

If you’re hoping to immerse yourself in music, bond with broadcasters, or geek out about the intricacies of specific music genres; then there’s at least one conference or festival for you in the next 4 weeks.

Here are some options:

SXSW in Austin, Texas (3/12-3/21/10):

This massive music festival in Austin has expanded in recent years to include a film festival and interactive conference. If you want to see tons of bands, sessions about music, and hear about the latest in technology, then you’ve got to get to Austin. Radio stations from all over the country also flock to Austin to do live broadcasts and to host showcases, including college station Radio K (Minneapolis) and community radio station WFMU (New Jersey).

From March 17-20th, 7 different college/public radio stations (KCRW, The Current, KEXP, KPFT, KUT, KXT, and WXPN) will be participating in live daytime music showcases at The Day Stage Cafe. You can even catch a short film, Peter in Radioland, in which old-school radios have a starring role.

College Broadcasters, Inc. (CBI) Convention in NYC (3/14-3/16/10):

If you are working in any form of college media, from radio to television to journalism, then this is the convention for you. It’s held in conjunction with College Media Advisers (CMA). To get the full scoop about what’s in store, take a look at my interview with the folks behind CBI and the conference.

International Association for the Study of Popular Music (IASPM) Conference in New Orleans (4/9-4/11/10):

This is THE conference to hit if you are a music academic or simply enjoy dissecting the intricacies of music, musicians, or genres. Over the years I’ve seen fascinating presentations about Japanese noise, the history of turntablism, and the connections between metal and classical music. Usually there is a paper or two related to radio.

The NAB Show in Las Vegas (4/10-4/15/10):

The big National Association of Broadcasters event in Las Vegas includes a number of mini-conferences as well as an exhibition floor. There’s a Broadcast Management Conference, radio luncheon, as well as sessions geared towards digital media professionals. If you want to be a fly on the wall for free, take a look at Spinning Indie for a complimentary pass to the exhibition floor.

Experience Music Project (EMP) Pop Conference in Seattle (4/15-4/18/10):

This annual conference (which is FREE) is a chance for academics and music journalists to bond over their love of popular music. This year’s theme, “The Pop Machine: Music and Technology” lends itself to discussions of radio; with far more papers about radio (including a few topics related to radio history, a paper on Mexican radio, one on radio as an instrument, another about radio commercials) being presented this year than I’ve ever seen at this conference. There will also be presentations about Lady Gaga, girls’ rock camps, cassettes, vinyl, Pandora, auto-tune, and the Vocoder (to name a few).

Broadcast Education Association (BEA) Convention in Las Vegas (4/15-4/17/10):

A conference for broadcast media educators and practitioners, this definitely has an academic slant to it. This year’s research symposium focuses on papers about the intersections between sports and media. They also have a Festival of Media Arts, which includes a student media competition. Here are some of the winners in the “audio” category. There are also panels related to student radio, sessions geared towards careers in radio, and some that look at specific stations both in the U.S. and abroad.

At the end of last month the FCC released its tallies for the total number of broadcast stations in the US as of Sept. 31, 2009 and Dec. 31, 2009. When you see the big number of 14,420 full-service radio stations it’s a big reminder that radio is still an enormous media presence in this country. This total represents an increase of 23 stations just from the end of September.

Here’s the breakdown for all radio types:

Full-power stations

• AM stations – 4790
• FM commercial stations – 6479
• FM educational stations – 3151
  TOTAL 14,420

  FM translator and booster stations – 6155

  Low-power FM stations – 864

  Grand total: 21,439

Note that FM translators and boosters are low-power stations that may not originate their own programming. They may only retransmit the signal of a full-power station. I’m pretty sure that a very large percentage of translators are non-commercial, thought I don’t have the exact number at hand. This is because the rules for non-comm translators are much looser than for commercial ones. A non-comm translator may be located any distance away from the station it retransmits, whereas a commercial translator must be located within its mother station’s expected broadcast range.

Educational stations encompass all non-commercial stations that have NCE licenses, including college, school, religious, community and public stations. The FCC does not distinguish between them.

Even though many observers have tuned out of radio, it’s going to be a long time before 21,439 broadcast stations are going to be abandoned and forgotten.

Next Tuesday the Federal Communications Commission will reveal the entirety of its National Broadband Plan, over a year in the making. Required by the American Recovery and Reinvestment Act, which authorized $7.2 billion in broadband stimulus spending, The Plan will weigh in on about a thousand broadband related subjects—how to help more people get it, how to help industries provide it, ways to encourage innovations that the FCC hopes will stimulate more broadband adoption, like IP video.

The chances are, though, that it won’t have much to say about radio

Oh yes, it will talk about “radio” spectrum a whole lot—in the sense of licenses from 500 KHz to 2.5 GHz that licensees use to transmit video, voice, text, audio, and whatever. But unlike every other broadband related medium, from social networking through web video, almost no one has anything to say on a policy level about radio delivered over high speed Internet, either through desktops, laptops, netbooks, or smartphones.

Indirectly, however, the National Broadband Plan will no doubt have an impact on both Internet and broadcast radio. Here are my speculations as to why and how. But nota bene, this is strictly thinking out loud stuff; as the saying goes, ‘I’m just talking.’ (more…)

In light of the 70th anniversary of the Intercollegiate Broadcasting System’s (IBS) annual conference last weekend, it’s a good time to reflect on the college radio pioneers who rarely get mentioned in radio history discussions.

My fascination with the early days of college radio began when I started diving into the history of the radio station at my alma mater, Haverford College. Although Haverford’s first radio station, WABQ, drew much press and attention during its short run from 1923 to 1927; few people outside of the college are aware of the triumphs of this student-built station that was for a time the most powerful college radio station in the United States.

So, it was with great interest that I sought out Hugh Richard Slotten’s 2009 book Radio’s Hidden Voice: The Origins of Public Broadcasting in the United States.

In the book he points out that,

“Radio stations at universities were particularly important because they pioneered some of the earliest experiments with radio in the United States and they played a key role in the establishment of an alternative, noncommercial, public service model for broadcasting.”

Also of interest to me is Slotten’s acknowledgment that college radio faced competition from commercial stations way back in the 1920s. He writes,

“As early as 1922, President Jardine at Kansas State College wrote to a colleague about his fears that commercial interests were actively ‘trying to eliminate’ college radio stations.”

It’s not surprising, considering the huge growth of radio in the United States in 1922. According to Slotten, on January 1, 1922 there were only 28 licensed broadcast stations in the U.S. This number soared to 570 by December 1, 1922.

In the book, there’s a big emphasis on the importance of stations at land-grant universities, many of which offered extension courses and home study courses over the radio airwaves (particularly in the 1920s) for residents in rural areas. Slotten points out that by the late 1920s there was even more competition for space on the radio dial and that many stations were forced to share frequencies and commercial stations seemed to be favored in the Federal Radio Commission’s decisions surrounding assignments.

In order to gain more insight into his research into the early days of educational radio in the United States, I spoke with Hugh Slotten over email. In our conversation he talks about how he became interested in college radio, explains why much of college radio’s early history has been unwritten, and offers up his take on why pinpointing the “first college radio station” is such a challenge. (more…)

Even with kids hearing new music from blogs and TV commercials, rock ‘n roll and radio are still inextricably linked. Last July Matthew ran down some of his favorite songs about radio, including The Ramones’ “Do You Remember Rock and Roll Radio,” and The Clash’s “Radio Clash.” This week the guys at one of my favorite radio programs, Sound Opinions, did a feature on their favorite songs about radio:

Jim DeRogatis:
Wall of Voodoo, “Mexican Radio”
R.E.M., “Radio Free Europe”
Donna Summer, “On the Radio”
Nirvana, “Radio Friendly Unit Shifter”

Greg Kot:
ZZ Top, “Heard it on the X”
The Replacements, “Left of the Dial”
Indeep, “Last Night a DJ Saved My Life”
Public Enemy, “How to Kill a Radio Consultant”

“Radio Free Europe” and “Left of the Dial” are certainly on my list and “Mexican Radio” is one of my favorites, too. But I’m kind of partial to the heavy metal cover by the Swiss band Celtic Frost:

Some of my other favorites share a certain theme, like Rage Against the Machine’s “Guerilla Radio” and Mojo Nixon’s “Pirate Radio” (language NSFW). And then there are some moldy classics, like Steely Dan’s “FM” and Rush’s “Spririt of Radio.”

What are some of your favorite songs about radio? Anything more unusual or obscure?

Each week I’m going to post a few songs, music videos and websites that  have caught my eye at some point. I should mention that many of the links to “songs” will probably be on youtube (aka they may include videos that I don’t consider to be particularly good) and that I’ve chosen the “music videos” based more on the music video than the audio track, although I will try to pick catchy and/or relatively “good” music. Enjoy!

Songs

1) Patsy Cline’s “Crazy“: I know that music like this tends to elude my generation, but Patsy Cline is, in my opinion, simply amazing.

2) Boys Like Girls’ “Love Drunk“: Just another pop/emo catchy track. I don’t know how mainstream these guys are now, but their self-titled album was pretty good.

3) 3Oh!3’s “Don’t Trust Me“: This song is admittedly pretty catchy, although I have to say that the thing that caught my attention was the phrase “Do the Helen Keller.” Intrigued (I normally am by new “hip” phrases), I decided to run a search on Urban Dictionary which managed to spit out a few definitions that I’d rather not retype. Feel free to check it out here.

Music Videos

1) OK Go’s “This Too Shall Pass“: I honestly can’t think of a better way to describe this video than the word “awesome.”

2) MGMT’s “Kids“: Having listened to this song LONG before seeing the music video, I became quickly surprised by how disturbing the video was. Regardless, it’s a song that I enjoy.

3) Saturday Night Live’s “I’m On A Boat” featuring T-Pain: This is almost a year old, so it’s sort of fallen out of popularity, but I still find it amusing.

4) Lady Gaga’s “Bad Romance“: If you haven’t seen this yet, you might as well do it now. I doubt that it will be going away anytime soon. I’ve actually read some very in-depth articles on this video, like this, which have actually somewhat improved my opinion of her.

Websites

1) xkcd: This is easily one of my favorite webcomics. I particularly enjoy the strip’s physics comics, such as this and this, but all of the comics tend to be consistently humorous.

2) One of my friend’s posted this on facebook a while back (I think that it might have been Nigel?), and I found the video to be quite interesting. The video is a recording of a lecture given at Yale University by Professor Shelly Kagan titled “How to Live Given the Certainty of Death.” It’s admittedly somewhat morbid (it IS a discussion of death), but I strongly suggest taking the time to watch it.