The decade’s most important radio trends #3: iPod and iTunes lure listeners away from terrestrial radio
Music listening has changed dramatically in the past decade in large part because of the rise of digital music. Following the explosion and shut down of illegal file sharing service Napster (1999-2001), a variety of digital music companies attempted to profit from the burgeoning interest in music delivery via the Internet.
Some focused on music subscription services (such as Rhapsody and eMusic), others turned toward music recommendations (like my former employer Uplister, which had hoped to turn the playlist into the “next unit of global music consumption”), and the legal descendants of Napster (from Apple to Amazon.com) became purveyors of MP3 downloads.
The timing of the digital music explosion couldn’t have been better; as many radio listeners were turned off by the increasingly consolidated commercial radio landscape that appeared on the scene as a result of the Telecommunications Act of 1996 which reduced limitations on the number of stations that could be held by one owner.
A direct result of the reduction in the number of station owners was less diversity on radio, with shorter playlists and fewer artists represented. As a 2002 report by The Future of Music Coalition pointed out, music fans were not pleased by this and stated that they actually “want longer playlists with more variety,” flying in the face of commercial radio’s own survey results. (more…)



