Radio Survivor

Shirley and Spinoza radio

I don’t listen to the radio much anymore, because there’s nothing on that I can count on either enjoying or finding interesting. And so far as the Internet can create your own channel services, like Pandora or Slacker, they seem to me oddly impersonal and somehow too predictable.

But now I’ve found Shirley and Spinoza Radio. It’s a source of almost endless delight to me. The more creative part of humanity’s bubbling unconscious seems to have found a portal here, and its stuff is all queued up and pouring out now: German disaffected acoustic romantic ennui more sentimental than anything heard in America! Chinese instrumentals on instruments I’ve never heard, with a startlingly new timbre. And suddenly, in front of such music, dialogues that sound like Samuel Beckett on a humorous brew of unseemly drugs. Like this one, with a male and a female voice taking turns repeating stuff like this:

[ Ambient Debussy is in the background, alternating with slightly troubling Hitchcock: ]

—Do you have any suggestions for the more efficient use of our equipment?
—No.
—Think before you speak. A brief description of your reactions, please.
—I don’t remember. It seems to be interesting. They were making a loud noise. Are you in charge of this department?
— Let us put that theory into practice.
— What are they planning to do now?
—Consult the directory.
—It might take too much time.
—Keep to the right. Follow the signs. Dial the number. I shall welcome any questions or suggestions you may have. I shall be there.
—He does not know.

(more…)

Moi in the basement, via camcorder.

It’s way too early to start writing self-congratulatory histories of this web site, but since Jennifer asked for the back story on how we got started, who am I to refuse . . .

I first approached Paul Riismandel last Spring about creating what eventually became radiosurvivor.com because I was, and still am, concerned that discussion on the ‘Net about the state of radio has become marginal and fragmented. The conversation has become marginal because so much blogging on the future of media focuses on other technologies and venues, among them IP video, social networking, P2P, e-Books and other mobile applications. It has become fragmented because most of the big sites that report news about radio do so from the vantage point of a particular corner of the radio industry—streaming, terrestrial, podcasting—and almost always from the perspective of management.

The rest of the talk is propelled by solo bloggers whose wonderful sites ponder all kinds of interesting questions, but who rarely interact with each other. I wanted something more than that. Radiosurvivor.com’s mission, as I see it, is to stimulate dialogue about radio from a listener perspective. It is the listener, who does not have a monetary or employment investment in some corner of the status quo, who is in the best position to discuss the future of radio.

The big question is . . . what is radio? As it is being transformed by the Internet and wireless, what do we want from it as individuals? And how do we think radio can serve us as neighborhoods, cities, regions, and nations?

I am happy to report that Paul was very receptive to this idea. He contacted Jennifer, and 250 terrific posts later, here we are, drawing in many more page views a day than I ever imagined we would. Our contributor Helen Yamamoto should also be mentioned for her great work.

The domain name “radiosurvivor.com” is intended to evoke the crisis in which terrestrial radio finds itself today—with revenues and listening rates in near free fall, and the other, more recent platforms treading water at best. What do all of us who still believe in radio—we the “radio survivors”—do now? I’m hoping that our writing will draw in many more listener-oriented voices to offer answers to that question.

Jeff McMahon's Rare Panasonic RF-1130 Radio

It’s time for another installment in our ongoing series Radio Obsessives, in which we share tales about people who are passionate about radio.

So far we’ve profiled Garrett Wollman’s Radio Tower Quest, Jose Fritz and his amazing Arcane Radio Trivia website, Radio Sticker of the Day curator Greg Blouch, and radio historian/Seattle Radio Theater founder Feliks Banel.

Blogger Jeff McMahon muses about radio on his blog Herculodge. Although the blog is ostensibly focused on a myriad number of topics (from vegetarian cooking to parenthood to cars), Jeff found that his posts about radio seemed to generate the most interest and excitement from readers.

Filed under the category “Radio Lovers Can’t Be Cured,” Herculodge’s radio posts typically focus on reviews of both new and vintage radios, as well as radio-related products. Written by Jeff and a crew of guest contributors, the radio section of Heculodge is kind of like a clearinghouse for feedback about specific radios. I was also amused by a post by Radio Russ enumerating a “12-Step Program for Radio Addicts.” He writes that step 1 is: “We admitted we were powerless over Radios, that our lives had become unmanageable without a radio in every room.”

On the site, Jeff also has a 3-part semi-autobiographical story “The Man Who Loved Radios Too Much,” in which he describes both the origins of his radio love and how he has descended into obsession.

In our email interview, I chatted with Herculodge founder Jeff McMahon about his website and why he’s so passionate about radio and radios. (more…)

Seattle Radio Theatre's 2008 Performance

Radio passion takes a variety of forms. Some people love the artifacts and become avid collectors of vintage equipment, promotional materials, and publications. Some are scholars, meticulously curating radio’s history. And others seek out present-day radio gems in order to remind people that radio is still relevant.

Seattle Radio Theatre founder Feliks Banel’s enthusiasm for radio spans across several of these categories.

While he was the deputy director of the Museum of History and Industry in Seattle (MOHAI) he started a tradition of live holiday radio plays. Over the years these radio dramas have included performances of both original and vintage scripts. Last week the 2009 production featured a live performance of It’s a Wonderful Life (you can listen to the podcast here or take a look at a video of that performance here).

It’s exciting to see that Seattle Radio Theatre is keeping live radio drama alive. According to the program notes for this year’s production,

“As far as Seattle Radio Theatre producers can tell, we are the only regularly-scheduled live radio drama in the United States (if you consider once a year ‘regular’). While there are many groups recording radio programs in-studio and ‘live to tape’ before a live audience, Seattle Radio Theatre is the only one that has done it every year live on the radio before a live audience for what will be a eighth year in 2009.”

In addition to his work with Seattle Radio Theatre, Feliks also writes about radio for his blog I Still Love Radio and for the website Crosscut.com. In his email interview with me he talks not only about radio drama and his own radio past; but also shares with me his insights about the role that radio has played in Christmas traditions in America, with “shared holiday moments” facilitated over the airwaves. I love this idea and it reminds me of the fun I had last Christmas Eve watching the WGN Yule Log while listening to their accompanying soundtrack of classic radio dramas.

Thanks to Feliks Banel for taking the time to chat with me by email about his love for radio. Although he was a bit nervous about the “Radio Obsessive” label, I hope that he embraces this honor, as he’s doing important work to help keep radio alive. (more…)

KOME Sticker

Recently I was tracking some college radio news when I ran across Greg Blouch’s website, “Radio Sticker of the Day.” Immediately I was taken back to my junior high school years when radio station stickers were a hot commodity. My classmate Ricky Kanazawa would spend most of our English class time focused on a stack of bright yellow and black KOME stickers and an exacto knife, carving up new, inspired, psychedelic creations. I’m not sure if Greg has tapped into this aspect of sticker art; but his website is a testament to the most visible radio station branding that there is.

KISR Sticker Courtesty Greg Blouch

I dropped Greg a note to find out what fuels his obsession for radio station stickers and learn more about his website, “Radio Sticker of the Day.”

It turns out that his fascination with stickers began in the 1980s, around the same time that my friends and I were plastering KOME, KSJO, and KMEL stickers (with a picture of a camel on them) all over our notebooks, windows, and Pee-Chee folders.

Over the years he’s accumulated around 12,000 stickers and largely credits the Internet for making it easier for him to contact stations. His site only features pictures of stickers that are in his collection. I love that attention to detail! On to the interview:

WYSO Sticker Courtesy Greg Blouch

Jennifer Waits: How did you get started collecting radio stickers and what was your first sticker?

Greg Blouch: When I was 13 years old our family moved from Middleport, New York (in the western part of the state near Niagara Falls/Buffalo) to Celina, Ohio.  I was homesick and wanted to get my hands on something that reminded me of New York.

My favorite radio station had been 107.7 WUWU which was an offbeat, almost freeform, rock station heavy on the new wave music of the time (this was around 1982/1983.)  I wrote to the station and asked for a sticker which I promptly wasted by slapping it on a book cover for school.

(more…)

Jose Fritz

I’m awed by all the radio enthusiasts, collectors, historians, and scholars out there; so I’m going to try to feature some of my favorites on Radio Survivor in a new feature called Radio Obsessives.

I didn’t realize it at the time, but my interview with Garrett Wollman about his fascination with radio towers is what prompted me to begin this quest to profile radio obsessives; simply because I love talking to other radio fans about radio.

“Jose Fritz” lives for radio and regularly blogs about radio factoids from the olden days on his blog Arcane Radio Trivia. In many ways I’ve found a kindred spirit in radio reportage, as Jose is also a fan of non-commercial radio and continues to remain optimistic about the future of college radio.

Interestingly, he’s opted on his blog to focus entirely on the past, avoiding “topical” stories for the most part. Consistently writing an impressive 5 posts a week, he’s covered everything from the long-forgotten radio show “The Fleischmann’s Yeast Hour,” to WXPN’s scandalous student radio past, to James Brown’s career as a radio station mogul, to little-known radio pioneers like Reverend Jozef Murgas.

I had an email chat with Jose Fritz to learn more about his radio obsession and to attempt to peel back some of the layers of his secret identity. I can tell you that he’s an engineer by day, is a blogger by night, has a music and radio past, and writes a fun and educational blog. On to the interview:

Jennifer Waits: When did you start Arcane Radio Trivia and what prompted you to begin writing the blog?

Jose Fritz: I began Friday, May 13th 2005. I decided one day maybe a few weeks prior that I needed a structure that would compel me to write more regularly.  I gave myself a set of strict rules and started that Friday. It’s been 5 posts a week since then for 220 weeks; that’s 1047 posts not counting today.  I keep thinking I should edit and compile them into a book.

I though it would make my other writing more productive. I was wrong.  I did write more, but I wrote more about radio, instead of becoming a writing exercise it became a consuming hobby.  I still manage to get the rest of my writing done, but I often end up posting after midnight. (more…)

WLS Radio Tower Photo Copyright 2004, Garrett Wollman from The Archives@ BostonRadio.org.

Fandom is an amazing thing and thanks to the Internet it’s easier and easier to find like-minded obsessives who share one’s passion for the most obscure objects, idols, and idiosyncrasies. Radio is no exception. Loads of websites document radio history, with nostalgic archivists collecting ephemera, airchecks, and reminiscences from San Francisco to Boston. Various forums also exist, like those on Radio-Info.com, allowing listeners and industry types to talk shop and share current radio gossip.

And then there’s Garrett Wollman. I recently ran across some of his photographs of radio towers and was fascinated. As part of his work with The Archives @ BostonRadio.org, he’s been traveling around the country meticulously photographing every radio tower that he can find. Sometimes he even ventures into radio and television stations; but for the most part it’s the outside architecture and landscapes that he finds so compelling.

In order to learn more about this project, I contacted Garrett to get the scoop about his love for radio towers and his work to help document the history of radio and television. I was surprised to find out a couple of things: 1) Garrett’s a young guy—a rarity in radio history circles and 2) He’s not a big fan of current radio offerings. After chatting with Garrett, I also was made aware of pursuits like DXing and county counting, making me realize that there’s so much more to the radio scene than I ever realized. On to the interview: (more…)