Radio Survivor

Jose Fritz of the great Arcane Radio Trivia has been traveling around and writing about what he hears on different regional radio dials. He just posted from the Seattle-Tacoma area and it’s interesting that he picks up a very diverse set of noncommercial stations featuring indie rock, NPR news, jazz and even dance music. He also picks up a couple of pirate stations in Seattle, including “The Whore” 101.9 broadcasting from the Capitol Hill neighborhood since 2008.

I have to admit that I didn’t get much of a chance to scan the radio dial the last two times I was in Seattle in 2006 and 2009. However when I first visited in 2002 there was certainly a vibrant pirate scene. During my time there for the first Reclaim the Media conference there was also a parallel convergence of unlicensed broadcasters who comprised a “mosquito fleet” of stations taking over empty spots on the Seattle dial, providing some airwaves resistance to the NAB Radio Show happening at the same time. Though pirate stations have come and gone in Seattle, there always seems to be at least one or two on the air at any given time. The hilly landscape provides many easy opportunities to get an antenna up high without having to construct much of a tower.

In any event, radio enthusiast’s visiting Seattle, Tacoma and Olympia should bring along a receiver and do a band scan for stations that will be more interesting than most cities.

Did you get fooled today?

Radio stations are often one of the last remaining outlets to celebrate April Fool’s with gusto. Morning show DJs read fake news reports, radio shows are replaced, and some stations switch their formats for 24 hours. Howard Stern once pretended that he’d been fired on April 1st over his crude content.

College radio station KXUA (University of Arkansas, Fayetteville) actually launched their FM broadcast on April 1, 2000 and in honor of their struggles to get on the air they started off with 24 hours of political speeches.

Back in 1998 several San Francisco Bay Area radio stations had April Fool’s-themed programming, including commercial station KITS (aka Live 105), which changed to KGAY for a day, airing gay-themed music. That same year college station KUSF read an announcement over the air stating that the university was selling off the station and commercial rock station KFOG devoted their “10 at 10″ segment to big band music. Another year KFOG spent part of their program day playing the best 15 seconds of songs as their new format.

Brown University station WBRU pretended to have been sold to a corporate entity and changed its format from alternative rock to the more mainstream “Buddy FM” in 2006. Audio from that prank can be heard here.

Chicago commercial rock station WXRT also has a tradition of doing April Fool’s hoaxes. One year they pretended that the station had gone “adult,” with their purchase by Playboy. In 1992 they told listeners that they had become a digital “pay-per-hear” station with several specialized streams of music. Non-subscribers would be treated to a jumbled up broadcast of scrambled sounds.

I think it’s fun to hear stations getting creative on April 1st, but often listeners become outraged (even after they’ve caught on to the joke). Are you willing to let your favorite station mess around for a day or do you think April Fool’s is a tradition past its prime?

Did any stations in your community do something special for April Fool’s this year?

He may not have been able to successfully inherit the leadership of the Republican party this year, but at least good ol’ Rushbo gets a consolation prize: a whole musical performed in his honor.

Last night Chicago’s famed Second City comedy company premiered their newest production, Rush Limbaugh! The Musical! The play follows Rush through his rise to prominence as aided and abetted by comrades like Anne Coulter and opponents like Rep. Barney Frank. Second City says,

The score for the show will feature a pastiche of Broadway musicals such as Spring Awakening, Wicked, and Rent. You can call it “Dispirit of the Radio.”

I have to admit that I am both intrigued by the concept, and a little disappointed. Limbaugh is such an over-the-top personality on-air that he verges on self-parody. Not only does he seem sometimes to know this, but he even seems to revel in it. So aiming a parody musical at him is a bit like shooting fish in a barrel.

Reading today’s reviews of opening night, it looks like the critics agree. The Chicago Tribune’s Chris Jones writes,

this uncertain show can’t compete with the outsize personality of the object of its satire….

In last year’s “Rod Blagojevich Superstar!,” the disgraced former governor of Illinois went down like a nine pin… . But Limbaugh is a tougher customer than the truly weird Blago, not least because (like a lot of successfully outrageous radio personalities) you never quite know with Limbaugh where the revelations end and the act begins.

More to the point, Hedy Weiss at the Chicago Sun-Times simply concludes,

Sadly, the whole exercise… turns out to be largely predictable, unfunny and surprisingly dated.

Even so, I’m not entirely dissuaded from checking out the show. In this day and age, when’s the next time I’ll have the opportunity to see a musical (even a parody) about a radio star?

Skulltime for Kids Pirate Shirt

Debuting back in 1987, way before pirates were ever deemed cool and a full 8 years before “Talk Like a Pirate Day” was ever conceptualized, Skulltime for Kids hit the airwaves of Foothill College radio station KFJC 89.7 FM in Los Altos Hills, California.

Captain Jack, the creator of the show, told me that the original idea for the program was born during a graveyard shift that he did with a fellow DJ in which they pretended to be pirates. He said that those initial late night shows were hilarious and that other station staff members encouraged him to base a show around that concept.

So, in 1987 Skulltime for Kids began as a Wednesday afternoon “children’s show,” hosted by the pirate Captain Jack.

The early years were a solo operation, with Captain Jack playing children’s records and spinning tales about his pirate life. He always alluded to a character called Skully, who was the “phantom bartender on Skull Island,” but it wasn’t until 1992 that another DJ offered to join the show in order to bring Skully to life. By 1996 or 1997 Skully was a regular fixture on Skulltime for Kids and around that time I started listening to the show (and joined the staff of KFJC).

There are a lot of things to love about Skulltime for Kids. There’s always plenty of banter about pop culture and music trivia and over the years I’ve found the show to be the “go to” place for news about dead celebrities, as they do rousing tributes to recently departed pop culture fixtures. Both Captain Jack and Skully are also thrift store junkies, so they often play amazing vintage children’s records with songs and stories from the past. (more…)

Dr. Demento (image from www.drdemento.com)

Celebrating its 40th anniversary this year, the Dr. Demento show began in 1970 on Los Angeles freeform station KPPC as a “rarities” show.

By 1974 the popular radio program, which specializes in a mix of music and comedy, moved into syndication all over the country.

Hosted by former college radio DJ (at the Reed College station), music historian, and record executive Barret Hansen (aka Dr. Demento); the show has celebrated not only novelty recordings, but also rare musical and comedic gems.

When I was a kid my sister and I used to spend hours and hours listening to the Dr. Demento show, cracking up over the silly comedic songs that were aimed at just our level of maturity. (more…)

I need a good laugh about once every twenty minutes, especially these days. So I listen to Onion Radio News.

“A giant 6-year old devastates a local ant community!” announces ORN’s hard nosed reporter, Doyle Redland. “Ant-hill scouts reported today that a mammalian destructo-beast some ten thousand ant-links in height smashed a nearby ant-hill and left thousands scurrying to rebuild.”

The kid was caught on tape, Redland continues, “using a Stone Cold Steve Austin action figure to pummel the colony flat.” Though reports from the scene are sketchy, “all stress that The Queen is unharmed,” Redland emphasizes. “Repeat. THE QUEEN IS UNHARMED.”

At a time when so much on line humor is about being snarky or trashing people, ORN somehow finds a way to be laughing-out-loud funny without being mean. The service succeeds in this by making whimsical fun of nobody in particular, just mythological figures , crash test dummies , “area” women and men, and recently deceased animals, often with salutation names. Redland’s but-seriously-folks voice is provided by the actor and cartoonist Pete S. Mueller.

“If there’s a Ferret Heaven, an area woman’s dead Ferret is in it!” Redland disclosed in an April 15, 2008 exclusive. The breaking story (and one of my favorites) boils down to an interview with former ferret owner Kelly Isgold, who says that if a ferret heaven exists, “her recently deceased pet Mr. Slinky has been given a gold halo” and a full pass. (more…)

For as much as I love radio I have to admit that there’s very few programs that I might consider appointment listening. Sure, I tune in to NPR daily to catch up on the news with Morning Edition and All Things Considered, but they’re pretty interchangeable to me. If, for some reason, the BBC News Hour were on instead I’d notice the difference, but I wouldn’t turn off the radio.

My #5 is not appointment listening. However, that doesn’t mean I don’t like it. I do know when it’s on, and if I happen to be in a radio listening mood at that time, I will be sure to tune it in. In fact, when it comes to commercial radio–especially syndicated commercial radio–it’s my favorite program currently on the air.

Little Steven’s Underground Garage stands out from most commercial music radio because it still shows the idosyncratic touch of its namesake host. Focused on the somewhat ill-defined subgenre of garage rock, the program plays rough-edged rock and roll that finds its roots with 1960s bands like the Troggs who went on to inspire early punks like the Ramones and later rockers such as the White Stripes. While this sort of rock is a mainstay of the Underground Garage, Little Steven takes a kind of “I know it when I see it” approach to the show, including a healthy does of Motown and other early rock nuggets alongside the more catholic selections. But his approach is not a hodge podge, like any real music DJ he draws connections between the songs he plays, often explaining why he deems an unorthodox choice worthy of inclusion.

Host Little Steven Van Zandt is otherwise known as a member of Bruce Springsteen’s E Street Band, but in his off time has dedicated himself to the promotion and preservation of garage rock. While I certainly like most of the music labeled garage rock, I would never have considered myself a particular fan, as such. I first became aware of Little Steven’s campaign for the subgenre when a band local to Champaign-Urbana, IL, where I used to live, The Blackouts (now The Living Blue) won his first Underground Garage Battle of the Bands. That’s when I first tuned in to the program Sunday nights on the local classic rock station.
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I think I can speak for my fellow Radio Survivors when I say that we really enjoyed putting together our run-down of the fourteen most important radio trends of the last decade. And yet, we’ve barely scratched the surface of the many aspects of radio that we really love.

So, beginning this month each of us will run down our own personal Top 5 of something radio-related. For January that Top 5 will be our favorite radio programs. These programs can be local or syndicated, commercial or noncommercial. But what joins them is that each of us thinks they’re amongst the best that broadcast radio has to offer. We’ll be counting down our Top 5 radio programs beginning this coming Monday, January 25.

We’ll share our Top 5s the last week of every month. We also hope that you’ll share your responses to our picks, along with posting your own favorites in the comments.

We’re also interested in your suggestions for future Top 5 countdowns. If you have an idea post it as a comment or drop us an email to editors@radiosurvivor.com.

I still think the last word on explaining radio genres goes to Strong Bad of the Home Star Runner series. Listen and loin:

Radio France has quite a few devotees in the San Francisco Bay Area, among them the noted filmmaker Veronica Selver. You can listen to the service live, or you can download podcasts via your iPhone, as does Veronica. It helps if you understand French, of course. If not,  she sent us this summary of some recent shows.

L’Avventura, a weekly show on cinema, with Laure Adler, hostess (The July 22 and July 29 shows as a typical format)

The show opens with the same passage from l’Avventura each
week, Italian dialogue and music. In depth interview with a filmmaker and extensive quotes
from the film(s) discussed. Examples:

An interview with Elia Seleiman, a Palestinian filmmaker whopresented his latest film at Cannes, Elia Suleiman speaks in English with a French translator. Laure Adler always contextualizes the present work within the body of work of the filmmaker. (more…)